Finding Beauty in the Everyday: Illustrator Sukanto Debnath
Sukanto Debnath says his art doesn’t focus on important matters. Heavy subjects don’t interest him. “There’s nothing deep about my work,” insists the Indian-born illustrator, who currently lives in Hungary. “There’s nothing to intellectualize.” His aim is to find the magic in “trivial, true moments—people dancing and having fun, or even just walking. I want to capture the most lighthearted parts of life. I want to capture what’s delightful.”
This love of the lighthearted things in life began when Debnath was a boy growing up in West Bengal, in Eastern India. As a child, he was fascinated by Disney movies, especially The Lion King. His talent for drawing and painting led him to study art after his graduation from high school. “I had no choice,” says Debnath. “I wasn’t good at anything else.”
A FOUNDATION IN FINE ARTS
Debnath attended Visva-Bharati University, where he studied painting. He worked in watercolors mostly, but in his final years at school he dabbled in collages using acrylic and oils. After earning his bachelor’s degree in fine art, he thought he would continue his studies and become a traditional painter. He traveled south to Hyderabad and explored graduate programs there. But he hadn’t shaken the animation bug that his beloved Disney films had infected him with. So while he was considering graduate schools, he was also studying animation and looking into work at animation studios.
“I was getting a bit bored with fine arts,” Debnath says. “There seemed to be a lot of vagueness in it.” And he craved a wider audience for his work. “You paint something that’s going to be hung on other people’s walls, and you never know if they actually like it,” he continues. “I chose to go into applied art, which seemed to be more direct and seen by lots of people.”
FROM BOUNCING BALLS TO IMAGINING DRAGONS
During Debnath’s initial exploration into animation, he studied Preston Blair’s book Cartoon Animation—“a bible for many beginning animators,” he says. He started as many animators do—with a lesson on animating a bouncing ball.
Using the bouncing ball as a model, Debnath created his first animation: an animal jumping on a trampoline. “It came out good,” he says. “After that I gave up painting and never looked back.”
Debnath created a portfolio of his animation work in 2000 and shopped it around to studios in the area. He worked as an animator for several companies before landing a job at DQ Entertainment, where he rose through the ranks to become its animation director. His favorite creation there was an animated series called Potatoes and Dragons, which was produced in partnership with the French company Alphanim.
Having been raised on Disney and DreamWorks, Debnath was excited by the French style of animation captured in Potatoes and Dragons. “It was different from anything I’d ever known,” he says. “Its aesthetic was easy, snappy, and happy”—all qualities he now infuses into his illustrations.
FROM ANIMATOR TO ILLUSTRATOR
At DQ, Debnath met his wife, a production manager at the company, and after a couple of years the pair left India and moved to her native Hungary.
Though Debnath still takes on occasional animation work, he’s concentrating on his illustrations, which he creates in Adobe Photoshop CC. Being in Hungary has given him fresh eyes to view the world. “I had become so used to everything that I had stopped observing. Everything is new here—I’m more curious about the world. Here, I feel like I actually see people.”
He’s constantly intrigued by daily life in his new home. Debnath says that “regular things” capture his eye: “Like people skating or talking on their cellphones. People here are very different—some are tall, some are very large or very small. They’re good to draw because everybody is so different.”