The Typography Tattoo Project
Dan Rhatigan's heart isn't on his sleeve—it is his sleeve. The former graphic designer, now Adobe Type senior manager, turned his love of type into an ongoing art project with his first tattoo twenty years ago. That tattoo, which Rhatigan designed in Adobe Illustrator, is a unique family crest with an “R” at its center. It's a “big, swashy letter ‘R’ I found in a book of old woodtype,” he says.
Preparing for a new tattoo is an exacting process for Rhatigan, who keeps a master Illustrator file with designs that interest him. “I just look at designs I’m fond of and try to find letters that particularly capture what I like about the design of that typeface,” Rhatigan says. “I try not to repeat letters, but I’ve started to have a couple of repeats because I’ve been doing this for a long time now.” Upper and lowercase letters count as separate forms, as do letters with accents.
Once he selects possible letterforms from his archive of favorites, he uses Illustrator to size them, then prints and tapes them to where the design will be inked. “I feel bad that I’m not asking the tattoo artist to be creative,” Rhatigan says. However, some tattoo artists view his project as an interesting technical challenge. “When they respond well to working out how detailed it has to be, getting the curves just right, then I usually know that they think the overall idea is cool, and it becomes an interesting exercise for them to replicate something as perfectly as possible.” So far, his only regret is a lowercase “y” from Cooper Black that an artist didn't draw correctly.
Think about your future. Yes, tattoos are (more or less) forever, but they change as you and your skin age. “If you want the word to remain legible, remember that it's going to blur and get a little bit heavier and softer over time,” he says. Therefore, letters “should have open interior shapes. They probably should be big enough that if the space closes up over time, they’ll still be readable.”